How to use Decent Sampler in Logic Pro - decent|SAMPLES

How to use Decent Sampler in Logic Pro - decent|SAMPLES

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Edit Multiple Tracks Simultaneously Using Groups In Logic Pro | Production Expert - Looking for Logic Pro? 













































     


Logic Pro X - Groups in inspector - Logic Pro - Logic Pro Help.Logic Pro X Cheat Sheet | ShortcutFoo



 

It's particularly great for comping from multiple takes. So, if you haven't used Logic's Group function yet, check it out. There will likely be something in there that will make your life a whole lot easier. Leader of a commercial band for three decades, Eli has been demystifying and simplifying music software since Nov 27, Jul 12, Apr 17, These Are Eli's. Detect Hard-to-Find Memory Errors Memory errors can be difficult to find, such as memory leaks, corruption, mismatched allocation and deallocation API, inconsistent use of memory API, illegal memory access, and uninitialized memory read.

Simplify the Diagnosis of Difficult Errors Debugger breakpoints diagnose errors by breaking into the debugger just before the error occurs. Code Samples There are two ways to install and set up the sample code: Share the compressed file on your system or copy it from the installation directory to a writable directory. Its contents include a readme file. Host operating systems:. Development environments:. Parallelization model support for the threading debugger:.

Supported debuggers:. System or Application: Get coarse-grained system data for an extended period or detailed results mapped to source code. Power: Optimize performance while avoiding power- and thermal-related throttling. Get your code ready for efficient GPU offload even before you have the hardware. Enable more vector parallelism and get guidance to improve its efficiency. Optimize vectorization and memory access using roofline analysis. Design new threading to exploit multicore processors.

Keysw1-Keysw10 pop-up menu and field: These values represent the position of the Keyswitch knob shown in the global controls for the source. This knob is visible only when the Keysw options are chosen in these menus. For example, set the first field to Keysw1 and the second to Keysw5, which results in the group being triggered when the Keyswitch knob is set to a value that falls within this range. Up to 10 Keyswitch knob positions are available, enabling you to switch between groups with the knob.

Because the Keyswitch knob is available as a modulation target, this lets you create complex automated group switches. C2-G8 pop-up menu and field: Set a specific note or range of notes as keyswitches.

Play a note in this range to switch to a group, which remains active until another group is chosen. Controller: Switch groups on or off in accordance with specified performance controls in the Perform section, or in accordance with assigned MIDI controller values.

Three pop-up menus are displayed where you can choose the controller type and set controller values. Type pop-up menu and field: Choose Control 1 to Control 8 to control switching from any of the eight performance control knobs. See Alchemy performance controls overview in Logic Pro. Value pop-up menus and fields: Define the range of values that trigger the group. You can set other groups with the same type but with a different control range to switch between groups with a single controller.

Because the Control 1 knob used in the example is available as a modulation target, this lets you create complex automated group switches. Drag vertically in the fields or use the arrows to set a value. Logic pop-up menus and fields: Define a condition for multiple group rules, using And , Or , and Not boolean statements. The different logic conditions result in different outcomes.

In Alchemy in Logic Pro, click the File button in the Name bar and choose Initialize Preset from the pop-up menu to reset all Alchemy parameters to default settings. Select a sample or multiple samples representing the main sustain portion of your sound, and import using any of the available import modes. Alchemy analyzes each sample to determine the root pitch if not defined in the filename , set the root key, key range, and velocity range for each sample zone such that they span the entire keyboard and the entire dynamic range, and add all zones to a group named Group 1.

Select a sample or multiple samples representing the release portion of your sound, and import the import mode is automatically set to match the existing group. Zones in Group 2 will now trigger when you release each key, playing over zones in Group 1 which continue to sound until AHDSR1 reaches the end of the release stage. Use the Cell Inspector to disable the loop, so that the cell only plays once when triggered. This is useful for impacts and effects that you want to play at the start of a scene.

To record information into an empty cell, select the track you want to record on, move the pointer to the centre of the cell and press the Cell Record button. Quantize using the Cell Inspector. You can switch between the Tracks Area and the Live Loops grid on a track-by-track basis, using the divider between the two parts of the screen.

This is useful if you have a fixed vocal pre-record. You can use the Enable Performance Recording icon in the top left-hand corner of the Live Loops grid to record back into the Tracks Area. Ensure the Tracks Areas is clear and then press Record on the transport. Your performance in the Live Loops grid is now recorded into the main Tracks Area. This performance can then be further refined in the usual way, by resizing regions, changing the number of loops and so on.

What this all boils down to is that we have terrific control over the horizontal and vertical of every step — something Vince Clark would have killed for in the s. Click on either edge of a step when Tie is selected, and it connects it to the adjacent step. You can visually adjust loop start and ends for the individual rows from here as well, as in Screen 3.

Screen 3: Adjusting loop lengths in the Step Sequencer. Hardware sequencers are, of course, used for more than just creating and processing MIDI note data, and the same is true for the Step Sequencer. It can also be used to automate the parameters of Instruments and effects on a track.

   


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